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ゴシシズムと摸倣 : The Monkとバラッド詩
https://doi.org/10.15093/0000000144
https://doi.org/10.15093/0000000144dd801e44-6967-4c52-8b08-0b2c791fa800
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kiyo1-1-6 (361.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-11-05 | |||||
| タイトル | ||||||
| タイトル | ゴシシズムと摸倣 : The Monkとバラッド詩 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Gothicism and Imitation : Literary Ballads in The Monk | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | literary ballad | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | M. G. Lews | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Gothicism | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | imitation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | pre-text | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15093/0000000144 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
中島, 久代
× 中島, 久代× |
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| 著者（英） | ||||||
| 姓名 | Hisayo NAKASHIMA | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | ln the a notorious Gothic horror novel，The Monk published by M. G. Lewis in 1796, tcn pieces of poetry written by the author are introduced，o f which three are literary ballads: “Durandarte and Belerma" in vol. 1，chap. 2，“The Water-King" in vol. 3，c hap. l, and "Alonzo the Brave and Fair Imogine" in vol. 3，c hap. 2. These imitated literary ballads not only foretell the tragedies which will happen after they are sung and contribute to intensify the Gothic atmosphere in the novel，but also symbolize the fact that the whole body of the novel is constructed by imitating various pre-texts. The purpose of this paper is to clarify that the literary art of imitation is indispensable to the Gothicism of the novel. The discussion in this paper will be presented through the following topics: 1. how the literary ballads are imitated from the original poems and how they contribute to the scene in which they are set; 2. how they were evaluated by the contemporary critics and advertised on the contemporary media; 3. how German pre-texts and the novel are related; 4. how “Alonzo the Brave and Fair Imogine" is parodied by the author himself. |
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| 言語 | en | |||||
| 書誌情報 |
ja : 九州共立大学研究紀要 en : Study journal of Kyushu Kyoritsu University 巻 1, 号 1, p. 43-49, 発行日 2011-03-31 |
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| 出版者 | ||||||
| 出版者 | 九州共立大学 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 21860483 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12533413 | |||||
| 論文ID（NAID） | ||||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 40019133051 | |||||
